Description
| Autor | Titel | Seite |
| Cristina Murer | Die Pelike des Geras-Malers aus Lausanne und die Zerstörungswut der Satyrn (Taf. 1–3) | 3 |
| Christina Avronidaki | Adespota. Three Red-figure Vases from Unknown Local Workshops in the National Archaeological Museum, Athens (pls. 4–6) |
18 |
| Bartłomiej Bednarek | Some Remarks on the Myth of Auge in the Small Pergamon Frieze (pl. 7) |
44 |
| Eleni Papagianni | A Female Portrait from the Sanctuary of Isis at Dion and the Constructed Memory of the Early Roman Colony (pls. 8–9) |
54 |
| Klaus Fittschen | Noch einmal zum Bildnis der ‹ Sabina › in Basel (Taf. 10–11) |
70 |
| GRABUNGEN: | ||
| Martin A. Guggisberg, Marta Billo-Imbach, Norbert Spichtig, Hugo E. Bouter |
Basler Ausgrabungen und geoarchäologische Untersuchungen in Francavilla Marittima (Kalabrien). Bericht über die Kampagne 2022 (Taf. 12-13) |
77 |
| Sylvian Fachard, Tobias Krapf et al. | Fieldwork of the Swiss School of Archaeology in Greece 2022 (pl. 14) . The Artemision at Amarynthos Aegina, Hellanion Oros |
93 |
| Julien Beck, Patrizia Birchler Emery, Efthymia Akrivopoulou, Andreas Sotiriou | Bay of Kiladha 2022 | 105 |
| Online Berichte: | https://www.antikekunst.org/publikationen/die-grabungsberichte/ | |
| Lorenz E. Baumer, Angeliki Simosi | Études et travaux archéologiques genevois Anticythère 2022 |
119 |